Pratchaya Phinthong’s work at Thailand Biennale Phuket, sp/n developed a quiet architectural intervention within the former Yi Teng Complex, working with the abandoned market’s existing condition rather than covering it over. Simple wooden structures are inserted lightly into the open concrete building, creating places for sound, movement, waiting, and possible inhabitation. The design supports the artist’s interest in value, ecology, labour, and forms of cohabitation, allowing the work to remain closely connected to the site, its weathered surfaces, and the life gradually returning around it. Architecture here becomes a modest support system, holding space for the artwork while letting the building continue to feel open, unfinished, and alive.