For the Singapore Pavilion at the 61st International Art Exhibition, La Biennale di Venezia, Amanda Heng presents works shaped by everyday gestures of walking, waiting, sitting, and pausing. Her practice looks to the body as a site of lived experience, formed through repetition, attention, and time.

In dialogue with Heng and curator Selene Yap, sp/n developed a site-specific intervention within the Sale d’Armi at the Arsenale. The architecture extends these gestures into the space, inviting movement and rest, and allowing the pavilion to be inhabited rather than only observed.

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Pratchaya Phinthong's Water~copy~air~streak