A Bangkok architectural design studio focused on a unique, cross-disciplinary design approach.
URBAN BED/MINUTE POCKET
SITE-SPECIFIC INSTALLATION FOR COMMUNITY
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PHRA NAKORN, BANGKOK.
This site-specific installation invites you to take a brief pause-whether to rest, reflect, and connect with the city.
Set on an idle land plot awaiting development, Urban Bed challenges the way we use temporary spaces. This installation offers a place to pause, nap, and connect with the city—while also engaging with urban space and taxation policies. It proves that even temporary, overlooked spaces can serve a meaningful purpose for the neighborhood.
Crafted from repurposed cardboard box straps, Urban Bed extends the life of packaging materials, transforming waste into a shared space for rest and reflection.
Our works is situated between the fields of art and architecture.
We are actively pursuing research that explores a variety of questions regarding the legibility and scalar accentuation of geometric forms within the field of architecture. Our interests primarily revolve around the concept of legibility in visual interpretation, which we translate into a fine gradation of the medium found in building envelopes, as well as the ground and the interior sub-division spaces. This investigation aims to deepen our understanding of how these geometric forms can affect perception and experience in architectural design.
A place, a situation and the negotiation of flow(s), 2023, Bangkok, Thailand.
‘A place, a situation and the negotiation of flow(s)’ is a commentary relationship between city residents and public spaces and how people's movements can impact these spaces. The intervening space between abandoned water tank symbolizes this interplay, with the public able to define their own boundaries and flow based on personal factors like proximity and ownership. The ambiguity lines tethering the water tanks highlight this idea reflect the flow, with its fluctuation between stillness and movement and also creating a visual representation of the flow of water.
HCF - House/Coffee/Farm, 2024, Petchabun, Thailand.
Friction, Willing suspension of disbelief, 2020, Bangkok, Thailand.
People pavilion - Elevated ground, 2024, Bangkok City Hall, Bangkok, Thailand.
The “People Pavilion” begins by approaching the concept of “Liveable Scape”, simulating the opportunities by using the Garden space of Bangkok City Hall during non-operational time. This is achieved by creating a “public” space in the form of a pavilion that serves as a meeting place for encounters, conversations, information exchange and diverse activities for people in various roles.
The initiative idea aims to break down the bold boundaries between the city contexts and the enclosed green space within the building. To dissolve this clear-cut line by creating the temporal public spaces which support activities for the community in this surrounding area. These activities include relaxation, group conversations, or setting up stages for various discussions.
The roof area of the pavilion is experimented with ‘patch’ of grass, same type to the original lawn in this site, providing a natural quality that allows sunlight to filter through. It creates shade similar to the tree canopy. Dried and decomposed grass increases gaps that willingly allow sunlight and artificial lighting to pass through, varying throughout the day and during the event time. Additionally, free-form circular seating are specifically formed by different sizes and distances in various locations. These positive and negative spaces are incorporated to enable the gathering and dispersal of diverse groups of people based on the size and type of activities.
DALLA CORTE, 2024, Bangkok, Thailand.
Spatial design for Pratchaya Phinthong : No Patents On Ideas, 2024, Bangkok City City Gallery, Bangkok, Thailand.
We participated in spatial design and ‘new ground’ for Pratchaya Phinthong's solo exhibition at the Singapore Art Museum. Our team focused on creating an environment that complements Phinthong's thought-provoking works, emphasizing the interplay between space and the installtaions.
The incline slope, as a ‘new ground’, serves as an intentional architectural feature that transitions the audience from the entrance into an immersive exhibition space. This deliberate architectural choice shaping how visitors perceive and engage with their surroundings. As they ascend, this ‘new ground’ accentuating the relationship between audience body, space and art installations.
This upward movement cultivates anticipation and focus, effectively setting the stage for the upcoming 'updrift' installation. The gradual incline encourages curiosity, prompting visitors to explore while also influencing visitors perception of the dynamic changes in the relationship of their body and exhibition space. As visitors navigate the slope, the height of exhibition space shift, framing their experience and forging am enclose connection with the installation. This transition is intended to elevate the spatial recognition of the audience. By the time they reach the installation, they find themselves immersed in a setting that feels intimate due to the legibility of enclosure.
The new ground acts as a powerful medium, transforming path from the entrance into a deliberate journey that enhances the overall visitor perception while heightening their engagement with the exhibition as a whole.
Mock up test for Pratchaya Phinthong : No Patents On Ideas, 2024, Bangkok City City Gallery, Bangkok, Thailand.
Emanations, 2025, Bangkok Experiment Film Festival, Bangkok, Thailand.
EMANATIONS — A site-specific sound installation created by Tulapop Saenjaroen in collaboration with SP/N for the 7th Bangkok Experimental Film Festival.
Emanations transforms space into a dynamic, site- responsive encounter where sound, movement, and perception remain in flux. By taking the 7th Bangkok Experimental Film Festival as both its context and generative space, semi-movable structures act as shifting frames, shaping how bodies navigate the environment. Instead of a fixed composition, the installation unfolds in real time—blurring the line between production and experience.
Emanations plays with framing, obstruction, and montage, but here, the act of viewing is replaced by presence and movement. The work challenges the stability of authorship, inviting uncertainty and interpretation as essential parts of its form.
Storage, An artist-initiated space, 2021, Bangkok, Thailand
STORAGE, an artist-initiated space in Bangkok, aims to be a contemporary art platform engaging both local and international artists, to enrich the art community’s prospect for a broader spectrum of artistic practices and conceptions. STORAGE was initially conceived as a private artwork storage space. The space evolved to be rather more versatile than merely a static function. The physical space of STORAGE was developed and conceived by its founders, Atit Sornsongkram and Prae Pupityastaporn, together with duo-architect Irin Siriwattanagul and Nathaphon Phantounarakul to create a dynamic platform to house temporal exhibitions, events, discussions and art-related projects, furthering possibilities within the community. STORAGE’s programme is overseen by Mary Pansanga, an independent curator together with Sathit Sattarasart, an artist/curator.
Cafe and Restaurant, 2024, Bangkok, Thailand
Urban bed_Minute pocket, 2025, Bangkok, Thailand
Set on an idle land plot awaiting development, Urban Bed challenges the way we use temporary spaces. This installation offers a place to pause, nap, and connect with the city—while also engaging with urban space and taxation policies. It proves that even temporary, overlooked spaces can serve a meaningful purpose for the neighborhood.
Crafted from repurposed cardboard box straps, Urban Bed extends the life of packaging materials, transforming waste into a shared space for rest and reflection.
Private residence, 2024, Bangkok, Thailand
Private residence, 2024, Petchabun, Thailand
Cafe and Salon, 2022, Surat-Thani, Thailand
Family club
Bang-na, Bangkok, Thailand
Private residence
Thailand, 2022
A place, a situation and the negotiation of flow(s)
Bangkok design week 2023,
Abandoned Water Tank, Prapa-Mansi Bangkok, Thailand
Bread, coffee and a sip of tea
Coffee community, Bangkok, Thailand
Cafe and Salon
Surat-Thani, Thailand, 2022
Storage, An artist-initiated space
Bangkok, Thailand, 2021
SP/N, Design Studio Renovation
Bangkok, Thailand, 2019
KM, Private Residence Renovation
Bangkok, Thailand, 2023
Strange foundation
Yellow lane, Bangkok, Thailand, 2022
BN, Private Residence Renovation
Bangkok, Thailand, 2019
ETBP, Art studio, office and storage
Phra-Pradaeng, Samut-Prakkan, Thailand, 2021
MEE, Temporary Office Renovation
Bangkok, Thailand, 2023
Facade Design
Bangkok, Thailand
J, Private Residence
Bangkok, Thailand, 2023
T Office Renovation
Bangkok, Thailand, 2019
PAK - Scape, Weekend scape
In collaborating with Lana
Khao-yai ,Thailand, 2021
MEE Office
Bangkok, Thailand, 2021
Friction, Willing suspension of disbelief
In collaborating with Sathit Sattarasart
Gallery VER, Bangkok, Thailand, 2020
The wall
Rhein, Germany
DALLA CORTE
Bangkok, Thailand, 2024.
Zero stage
Bangkok Design Week 2020
Josh Hotel @ Room 207, Ari neighborhood,
Bangkok, Thailand
Ratchapruek night market
In collaboration with Thor Kai Chon
Bangkok, Thailand
ORKHĒSTRA
Luminale 2014, Frankfurt am Main, Germany
A joint venture of Städelschule Architecture Class, the Media Architecture Institute and the LED manufacturer AHL and the TUM Institute for Mediainformatics.
MUI FEST
In collaboration with ThorKaiChon
Samui, Thailand